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Crazy Christmas Countdown

Jani Leinonen has created a giant Christmas calendar for the Dolder Grand Hotel in Zurich, Switzerland. The installation consisting of 24 pieces of art – one for each day until Christmas is an extravagant and cheerful interpretation of a traditional advent calendar.  “I’m thrilled to be exhibiting at the Dolder Grand for the second time this year. I have associated the excitement of the run-up to Christmas with Advent calendars since my childhood and hope that my art conveys this sense of joyful anticipation to guests at the Dolder Grand”, Leinonen explains. Jani Leinonen and the Dolder Grand have been …

Gösta Serlachius Fine Arts Foundation

Jani Leinonen is included in the exhibition Morning Coffee on the Roof of a Town, showcasing a selection of works from the Gösta Serlachius Fine Arts Foundation’s contemporary art collection in Mänttä, Finland from 5.11.2022—16.4.2023. The foundation began to collect contemporary art in the early 2010s, and to date, the collection consists of more than 500 works, of which approximately 60 are on display in the current exhibition.  Gösta Serlachius Fine Arts Foundation was established in 1933 and comprises today more than 10 000 artworks of Finnish art classics, old European paintings, and contemporary art. The collection is one of the grandest …

JANI LEINONEN at Dolder Grand

Jani Leinonen has been invited to create this years Easter egg at the prestigeous Dolder Grand in Zurich, Switzerland. The installation decorated with more than 12,000 carnations will be on display in the Steinhalle from 13 April for approximately 1 week. The Easter egg bears the artist’s unmistakable signature and portrays his interpretation of Easter. The egg is accompanied by the “Seeds in Their Pockets” installation – consisting of seven dried flowed that Jani Leinonen collected in war zones across the world, and which convey a message that is really important to him. Jani Leinonen’s relationship with The Dolder Grand …

Jani Leinonen – The Truth

Jani Leinonen’s long-awaited solo exhibition The Truth will open at Serlachius Museum Gösta on 27 March 2021. For the show, the artist has created a magical installation implemented using centuries-old stained-glass techniques, offering its visitor a plunge into the long history of propaganda and manipulation – and the colorful present.  The exhibition will also reunite Leinonen and world-famous street artist Banksy after six years, as Banksy’s show A Visual Protest opens at the museum in mid-May 2021 and will be overlapping with Leinonen’s exhibition for three months. In 2015, Banksy invited Leinonen to exhibit at his Dismaland Bemusement Park -show in Weston-super-Mare, UK. “It’s a showcase for …

Jani Leinonen x Minna Parikka

Jani Leinonen and Finnish shoe designer Minna Parikka have teamed up to create a limited-edition collection of 150 numbered pairs of quirky statement sneakers. The print, designed by Jani Leinonen is called Secret: and secrets are what you will find when you take a closer look. The print consists of words, that create sentences, that tell stories about love, hate, happiness, and disappointment.  The sneakers with Minna Parikka signature bunny ears are unisex, completely vegan and produced from a SEAQUAL certified material that is upcycled from marine litter.  The infamous Finnish duo of fashion and art did their first collaboration …

Jani Leinonen’s Chapel of Remorse at The Dolder Grand

Jani Leinonen’s stained glass installation ’Chapel of Remorse’ has found a new permanent home at the Dolder Grand Hotel in Zurich.  The Chapel of Remorse was originally installed in a 500-year-old barn in a small village of Madulain, in the valley of Engadin, Switzerland, where the glass panels were cut to fit perfectly in the centuries-old window frames.  The glass panels of Chapel of Remorse are painted with old stained glass technique at Mayer’sche Hofkunstanstalt in Münich. What is now installed on the Grand Dolder’s wall is not only the stained glass artworks but also the centuries-old chapel-like architectural composition and shapes of the …

JANI LEINONEN AT ART MUSEUM GÖSTA MANOR

Jani Leinonen is included in the new collection display at the Art Museum Gösta Manor presenting classics owned by the Gösta Serlachius Fine Arts Foundation, of the Golden Age of Finnish and old European art as well as more recent acquisitions. The summer 2019 hanging includes, among other works, Albert Edelfelt’s much-loved Finnish Soldiers in War of 1808–09 and a number of Helene Schjerfbeck paintings. The exhibition is curated by Veikko Halmetoja. Gösta Serlachius Fine Arts Foundation’s collection includes Finnish art classics and old European paintings and is is one of the grandest private art collections in Scandinavia. Read more about …

JANI LEINONEN’S “CHAPEL OF REMORSE” OPENS AT STALLA MADULAIN, SWITZERLAND

This February Finnish artist  Jani Leinonen turns the over 500 year old barn Stalla Madulain in Switzerland, into a breath-taking chapel of light and offers the viewers almost a transcendental experience. The art pilgrims of the world have a new destination in Switzerland as Jani Leinonen’s Chapel of Remorse plugs into the same pious energies of art sanctums such as Ellsworth Kelly’s Austin in Blanton Museum, Olafur Eliasson’s Rainbow Panorama in Aarhus and Rothko Chapel in Houston. Leinonen has harnessed the barn’s old features, the arched windows, the cathedral-like hight, and in collaboration with the worlds best glass blowers in Munich, converts the space into a dramatic yet …

JANI LEINONEN INCLUDED IN AROS EXHIBITION: FAR FROM HOME

Jani Leinonen’s beggar sign installation Anything Helps is included in the exhibition Far From Home – the last exhibition in a trilogy based on the ARoS museum’s collection. The trilogy is intended to present alternative ideas as to how a museum can showcase and talk about relevant themes from our times through text, format, orchestration, and juxtaposition of works. The first exhibition, Out of the Darkness, 2014, thematised the structure and power of the great narratives, addressing the global challenges facing humanity. The second exhibition, No Man is an Island – The Satanic Verses, 2016, used the forceful political, economic, and cultural changes which Europe underwent at the time …